English National Ballet: Akram Khan’s Giselle

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Get your tickets now and witness the iconic English National Ballet, Akram Khan’s Giselle in London

After captivating audiences across the globe and selling out performances in Manchester and Bristol in 2023, Akram Khan’s visionary reimagining of Giselle makes its long-awaited return to London’s Coliseum Theatre—its first appearance there in five years.

'From the opening second of Khan’s vital and visceral reworking, the audience is riveted in their seats and ravished mind, body and soul' ★★★★★ ~ The Daily Express

Show details:

  • Dates: 15th - 18th January 2026
  • Age guidance: 12+
  • Duration: 2 hours (including one 20 minute interval)
  • Venue: London Coliseum, London, WC2N 4ES

About Akram Khan’s Giselle

As the performance begins, shadowy figures press against an imposing wall, setting the tone for a production that is as visually arresting as it is emotionally charged. From the very first moment, this bold reinterpretation of the classic ballet grips the audience with its haunting imagery and raw intensity.

Akram Khan’s choreography is both hypnotic and visceral, weaving together classical ballet and contemporary movement to tell a story of love, betrayal, and redemption in a world marked by division and despair.

The stage is transformed into a desolate, industrial landscape—an abandoned factory haunted by restless spirits—brought to life through the evocative lighting design of Mark Henderson and the monumental set by Oscar-winning designer Tim Yip.

Vincenzo Lamagna’s thunderous score, a dark and dramatic reworking of Adolphe Adam’s original composition, is performed live by the English National Ballet Philharmonic, amplifying the emotional depth and urgency of the narrative.

Don't miss this incredible show, get your tickets now and have them delivered instantly via email and SMS!

English National Ballet: Akram Khan’s Giselle

London Coliseum,
London,
WC2N 4ES
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This performance contains stylised violence and references to death, and very loud music.

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